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What to do with those critiques?!

  • Oct. 9th, 2007 at 5:50 AM
Blue Woman Picasso, Erin Web Photo, Dublin Door, veggie, Voldemort and the Death Eaters, Ulysses, Shakespeare, Leaves, Rocky and Bullwinkle, Monster
Workshops seem to be the way most people go, if they want to receive feedback on our writing. There’s no doubt that workshops can be useful to the development of a new writer, but what do you do with all of those workshop critiques?

In honor of the newest batch of Viable Paradise Workshop attendees, I thought I’d offer up some advice for writers who have a bunch of critiques to sort through.


  • Do not take the critiques as gospel

  • Make only the line editing changes that make sense

  • Do not try to incorporate ALL of the changes

  • Discard suggestions that don’t help to bring your story toward the end you envision

  • Let each critique stand upon its own merits, not the ability of the critiquer to write his own stories (sometimes people write better critiques than fiction and visa versa)

  • Give yourself some time to think about the critiques before implementing the changes


These are the bits of advice that have made the most sense to me when revising a workshop story. Let me know if you have any other gems of advice to offer.

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Blue Woman Picasso, Erin Web Photo, Dublin Door, veggie, Voldemort and the Death Eaters, Ulysses, Shakespeare, Leaves, Rocky and Bullwinkle, Monster
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Erin Underwood

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